Hey TalkBass (apologies if I've posted this in the wrong thread or something). So I've recently got a USB interface for recording some songs with Cubase (i've kinda taught myself how to use it, so I don't know much). I'm trying to get a similar tone that my amp gives me (Fender Standard P-Bass into a Fender Rumble 40). Obviously, it doesn't sound the same when it's directly into the interface, and I can't seem to get the tone through just VST plugins and EQ. So would a preamp help in this situation? How are you listening while recording (setting the sound, playing back recordings etc)? If listening to your USB interface through headphones or nearfield monitors, you cannot expect a sound identical (or even close to) what you get from the amp and speaker cab. But maybe you suspect or already know you'll eventually want to record an entire band. That's going to drastically change the number of inputs and preamps you'll need on your recording interface. And then there's the question of USB, Firewire, or Thunderbolt connections. And preamplifiers and high-impedance instrument inputs. PC-MAC-USB-Phono-Preamp-Turntable-Record-MP3-Converter-PC-MAC-USB-Phono-Preamp-Turntable-Record-MP3-0 results. You may also like You may also like Items in search results. It may still be a good sound, something that fits in the mix. I usually record without my amp, going DI to interface to laptop, forming the sound with eq and compressor plugins. For me the trick is to 'change role' from bassist (expecting a sound similar to my amp) to producer/engineer (looking for a solid bass sound fitting for this particular mix). Not easy, but you better get used to it if ever recording in a pro studio. Hey TalkBass (apologies if I've posted this in the wrong thread or something). So I've recently got a USB interface for recording some songs with Cubase (i've kinda taught myself how to use it, so I don't know much). I'm trying to get a similar tone that my amp gives me (Fender Standard P-Bass into a Fender Rumble 40). Obviously, it doesn't sound the same when it's directly into the interface, and I can't seem to get the tone through just VST plugins and EQ. So would a preamp help in this situation? Best mac for mainstage. Question: Q: Best Mac for Mainstage I am running Mainstage 2.2.2 on 10.7.5 MacBook Pro 2.2 G with a 500G Fusion drive but only 4MB or RAM. Things are reasonably stable - but I do still get some crashes and some CPU spikes mostly when trying to start up or setup once I am up and running it seems OK, but I don't really feel safe and some plugins are not really stable - eg. The EVB3 just stopped outputting sound once. Apple today released Logic Pro X 10.4.2 alongside MainStage 3.4 on the Mac App Store with a number of new features and enhancements. Head below to see what’s new. Smart, fast, efficient use of your Mac. MainStage leverages the power and efficiency of your Mac to deliver performance and sound quality that most hardware can’t touch. For example, the EXS sampler can put huge amounts of data to work for a single instrument by using all of the available memory in your Mac. I prefer to record direct without anything between the bass and the interface. You can use any combination of plugins, reamping, etc. ![]() ![]() I still use a plugin during tracking so it sounds close to what I want, but the actual audio file is purely the direct bass sound. If you like sound of a real preamp, you can reamp and then send that preamp signal back into a plugin with only the cab, room, and mic sims turned on to give you a more realistic sound. You can send the direct sound to multiple plugins and blend them together if a single plugin alone sounds lacking. This seemed like a pretty close topic to my question. The GK MB210 combo has an xlr output. In the manual it says: 'Balanced Direct Out: This electronically balanced output allows a direct connection to a P.A.
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